The history making appearance was a risky one indeed. Critics will likely suggest that the move was one of desperation, or [...]
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Singer also talks about retiring alter ego Sasha Fierce and starting a family, in You magazine.
By James Dinh
Beyoncé
Photo: Michael Caulfield/ Getty Images
Whether it's "Single Ladies (Put a Ring on It)" or the Destiny's Child classic "Independent Women," most of Beyoncé's catalog consists of strong female-empowerment anthems. So it's no surprise that the singer considers herself to be a feminist.
In an interview with the U.K.'s You magazine, the pop star opens up about the importance of female companionship, not needing to hide behind Sasha Fierce and her much-talked-about baby plans.
"I think I am a feminist, in a way. It's not something I consciously decided I was going to be; perhaps it's because I grew up in a singing group with other women, and that was so helpful to me," she told the magazine. "It kept me out of so much trouble and out of bad relationships. My friendships with my girls are just so much a part of me that there are things I am never going to do that would upset that bond. I never want to betray that friendship, because I love being a woman and I love being a friend to other women."
Most recently, Beyoncé has certainly made her share of female friends in the industry. In the past year, the singer has collaborated with Lady Gaga ("Video Phone" and "Telephone") and Alicia Keys ("Put It in a Love Song").
While the singer might always have female besties, there's one thing she's cut out of the picture: alter ego Sasha Fierce. Earlier this year, the pop star revealed that she "killed" Sasha, and now she said the alter-ego absence is due to her newfound self-awareness.
"I don't need Sasha so much anymore, because these days, I know who I am. It takes time to figure out who you are, and I am still discovering different things about myself. As I am exposed to different experiences, I think, 'Oh, I like this. I didn't know I liked this,' " she explained. "That's the journey of life that is so exciting. More and more, I know who I am, I know what I like, I know what I want, and that makes me feel so free."
In fact, B already has her eye on some personal life goals. "My ambition is to continue to learn about the world and to eventually have a family," she said. And while Beyoncé remained coy about when she and husband Jay-Z will expand the Carter family, she hinted that there's really "no dates, no times" to motherhood. "It will happen when I am ready."
What is your favorite Beyoncé female-empowerment anthem? Share your thoughts in the comments below!
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Charlies Angels Charlize Theron Chelsea Handler Cheryl Burke
Usher's 25-date arena tour will start on November 10 in Seattle.
By Gil Kaufman
Usher
Photo: Michael Caulfield/ WireImage
Usher will reward his fans' patience in November when he finally kicks off the long-awaited tour in support of his platinum Raymond v. Raymond album. Though it won't feature Chris Brown as recently rumored, Usher is promising a major show for the 25-date North American arena tour that kicks off on November 10 in Seattle.
"Songs like 'OMG,' 'DJ Got Us Fallin' in Love,' 'There Goes My Baby,' 'Papers,' 'Daddy's Home,' 'Lil Freak' with Nicki Minaj and 'Hot Tottie' with Jay-Z have dominated the airwaves since last February," said Randy Phillips, president & CEO of AEG Live, the promoter behind the tour. "Now is the time for one of our greatest entertainers to go live and we are thrilled to be part of the ultimate Usher experience. Usher is bringing his fans an evening they will not soon forget. This will be the 'Must See' concert tour of 2010!"
The singer, who is on tap to perform at Sunday night's MTV Video Music Awards, will be on the road through late December, hitting major cities from Las Vegas and Los Angeles to Dallas, Detroit, Chicago and Boston, wrapping things up on December 18 with a show at the XL Center in Hartford, Connecticut.
Tickets will go on sale beginning September 17, with more information on opening acts and tour details available at Usherworld.com.
Dates for the OMG Tour:
» November 10 - Seattle, WA @ Key Arena
» November 12 - Oakland, CA @ Oracle Arenabr
» November 13 - Las Vegas, NV @ Mandalay Baybr
» November 14 - Anaheim, CA @ Honda Center
» November 17 - San Diego, CA @ Sports Arena
» November 18 - Los Angeles, CA @ STAPLES Center
» November 19 - Phoenix, AZ @ Jobing.com Arena
» November 23 - Houston, TX @ Toyota Center
» November 24 - Dallas, TX @ American Airlines Center
» November 26 - St. Louis, MO @ Scottrade Center
» November 27 - Kansas City, MO @ Sprint Center
» November 29 - Toronto, ON @ Air Canada Centre
» November 30 - Montreal, QC @ Bell Centre
» December 2 - Detroit, MI @ TBD
» December 3 - Chicago, IL @ Allstate Arena
» December 5 - Atlanta, GA @ Philips Arena
» December 7 - Greensboro, NC @ Greensboro Coliseum
» December 8 - Baltimore, MD @ 1st Mariner Arena
» December 10 - Newark, NJ @ Prudential Center
» December 11 - Norfolk, VA @ Scope Arena
» December 13 - New York, NY @ Madison Square Garden
» December 14 - Boston, MA @ TD Garden
» December 16 - Philadelphia, PA @ Wells Fargo Center
» December 17 - Washington, DC @ Verizon Center
» December 18 - Hartford, CT @ XL Center
Source: http://www.mtv.com/news/articles/1647336/20100908/usher.jhtml
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'PA 2' producer Oren Peli addresses our lingering queries about the horror film.
By Eric Ditzian
On Monday, just hours after "Paranormal Activity 2" finished up its $40.7 million opening weekend, MTV News stepped in to answer some burning questions about the horror film with the help of director Tod Williams.
But you know what? We had even more questions we wanted answered, so we brought in "PA" creator Oren Peli — who stepped into a producer role for the sequel — to respond to some other lingering queries we had about the film (major spoilers below).
What Happened to the Dog?
As the demon presence ramps up its activity in Kristi and Dan's home, their dog essentially freaks the hell out and has to be rushed to the vet. Perhaps he had a seizure, one of them speculates. But the dog is never seen again. So is the German Shepherd OK?
"Many are concerned," Peli laughed. "As far as I know, the dog is OK. There's a line in there that they're going to pick her up from the vet. So I think she's OK."
What Did the Scratches on the Door Say?
The demon seems to have taken up residence in their basement, and after Kristi is dragged kicking and screaming down there, the camera focuses in on the door. It appears as though a word is scratched into the wood. Does it actually say anything?
"I will say that it does say something, but I'm not sure when is the right time to reveal that," Peli confirmed. "We might want to save that for later. I'm going to keep quiet on that."
Aren't They Glad They Didn't Kill Off Katie in the First Movie?
As fans of the first movie know, Peli filmed a few different endings. In the ending that made it into the theatrical release, Katie survives. But in an alternate ending, she's shot by police. But "PA 2" begins its story prior to the events of the original and ends after those original events take place, with Katie showing up at Kristi's house to commit a few murders. Given that storytelling technique, how happy is Peli that he didn't kill off Katie in the first movie?
Turns out, Peli is confident that even if the alternate "PA" ending stuck, Katie could still have showed up to wreak bloody havoc at the end of "PA 2." "When I did the first one, I wasn't thinking about a sequel or anything like that," he explained. "But there are a lot of smart writers out there. There's probably ways to get around anything."
How Did They Avoid the 'Blair Witch 2' Curse?
"PA" is often compared to "The Blair Witch Project," insofar as they are both breakout horror hits that utilize the found-footage narrative technique. While "Blair Witch" grossed almost $250 million worldwide, the sequel abandoned its found-footage roots and ultimately made just 19 percent as much as the original.
For "PA 2," Peli and his fellow filmmakers learned the lessons of "Blair Witch 2" well and were sure to preserve the elements of "PA" that made it so popular. " 'Blair Witch' was an example of a movie that really worked and they really changed the format. The audience that loved the first one came to see the second one, and they got something very different," he said. "We wanted to make sure that the fans that had been waiting will not be disappointed. The things that they liked about the first one, we tried to stay true to that but also give them a different story and a grander scope of things, so it'll be both new and consistent with what worked the first time."
What Did Peli Actually Do on 'PA 2'?
While Peli wrote and directed "PA," he stepped into the role of producer for "PA 2." So, um, what the heck did Peli actually do for the sequel?
"I was there during the entire shoot," he said. "It was much more of a collaborative effort. [Tod] was the main guy running the show, but he was very collaborative. Everyone got to chip in their ideas, and I had a lot of ideas. There was a lot of teamwork involved, but it was so tricky to pull off the right tone. Everyone checked their egos.
"We all really love Tod. He got what made the first one work," Peli added. "Tod is also a writer, so he brought a lot of good ideas in. Also, I've already lived with 'Paranormal Activity' for four years, so I was ready to move and transition and let someone else take over."
Check out everything we've got on "Paranormal Activity 2."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
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Mila Kunis Milla Jovovich Minka Kelly Minki van der Westhuizen
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Murray is charged with involuntary manslaughter in Jackson's death.
By Gil Kaufman
Dr. Conrad Murray
Photo: Toby Canham/ Getty Images
More than a year after Michael Jackson's death, the pop icon's former personal physician, Dr. Conrad Murray, was in court Monday (August 23) where a judge finally set a preliminary date of January 4, 2011, in the cardiologist's involuntary-manslaughter trial.
TMZ reported that Murray's legal team won a request to get a fluid sample from Jackson as part of their defense strategy questioning the accuracy of levels of the surgical anesthetic propofol found in Jackson's body. The Los Angeles County Coroner's office determined that Jackson, 50, died as a result of acute propofol intoxication.
Murray has pleaded not guilty to a felony charge of involuntary manslaughter and has admitted to giving Jackson propofol, a strong anesthetic usually used during surgery but allegedly employed by chronic insomniac Jackson as a sleep aid. Murray's lawyers have said the physician did not administer any drugs that "should have" caused Jackson's death. The investigation into his death was equally lengthy, lasting more than eight months, after which Los Angeles prosecutors charged that Murray gave the King of Pop a lethal combination of propofol and other painkillers and sedatives in the hours before the singer was found dead in his rented Los Angeles mansion on June 25, 2009. Murray faces up to four years in prison if convicted.
After hearing from both sides in the case at the January court date, the judge, Michael Pastor, will determine if there is enough evidence to mount a full trial.
Jackson's mother and father, Katherine and Joseph, were in court on Monday, according to Radar Online, sitting in the front row as Judge Pastor set the preliminary hearing date. Pastor granted a protective order covering all evidence in the criminal case, meaning it cannot be released to anyone other than the lawyers, paralegals and investigators in the case.
Murray's defense team reportedly asked for access to three fluids collected by the coroner's office, including ones taken from syringes and an IV tube to re-examine test results. Pastor ruled that the coroner's office must preserve the samples, and if defense attorneys and prosecutors cannot agree on the request, he will schedule a hearing on the matter.
After court let out, a group of Jackson supporters gathered and sang an impromptu verse that featured the lines, "Conrad Murray is a cold man," while holding up signs that read "Justice for Michael Jackson" and "Love Unites Us, Peace Drives Us, Judgment Day 4 All."
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Jennifer Gareis Jennifer Garner Jennifer Gimenez Jennifer Love Hewitt
Drummer admits he doesn't know what will come of 'new material.'
By Chris Harris
Jason Bonham
Photo: Larry Marano/ Getty Images
On Friday morning, mere hours before he was due to take the stage with classic rockers Foreigner at Detroit's GM Renaissance Center, drummer Jason Bonham — the son of late Led Zeppelin kitman John Bonham — told Jim Johnson and Lynne Woodison of local rock station 94.7 WCSX that he'd be an ex-member of Foreigner as of September 1. But that's not the only thing he said.
Much to the delight of Led Zeppelin fans everywhere, Bonham revealed that he's been meeting up with Led Zep guitarist Jimmy Page and bassist John Paul Jones in recent months and that they've been "trying to do some new material and writing."
It was the first time since Led Zeppelin announced they would re-form for a single performance (which happened late last year at London's O2 Arena, in honor of the late Ahmet Ertegün, who signed the band to Atlantic Records in 1969) that anyone connected to the band has confirmed publicly that new music could be on the horizon for the iconic rockers. While the bandmembers have stopped short of definitively ruling out such a reunion, singer Robert Plant insisted in the wake of last year's show that he intended to focus on promoting and touring behind his critically lauded album with bluegrass artist Alison Krauss, Raising Sand.
Not that Bonham knows what — if anything — will happen with the new material he's been working on with Page (who collaborated with pop singer Leona Lewis on an uneven version of Zep's "Whole Lotta Love" at the Olympic closing ceremonies in Beijing on Sunday night) and Jones. He said he just shows up and takes his seat behind the kit.
"I've been over [to England] a couple of times," Bonham said. "I've been working with Jimmy and John Paul and trying to do ... some new material and some writing. I don't know what it will be, but it will be something. At the moment, all I know is I have the great pleasure to go and jam with the two guys and start work on some material. When I get there, I never ask any questions. If I get a phone call to go and play, I enjoy every moment of it. Whatever it ends up as, to ever get a chance to jam with two people like that, it is a phenomenal thing for me. It's my life. It's what I've dreamed about doing."
He said it's still too early to tell what will become of these "jam" sessions, but admitted that the "possibility of doing something is in the cards. I really felt it was in the cards from the moment we walked offstage at the O2." Bonham also explained that, before there could be a Led Zep LP, "lots of politics [would need to] get ironed out," but added that recording with Zep is "something I've always wanted to do."
Bonham noticeably didn't mention frontman Plant's name during the discussion. A spokesperson for Page's management had no comment on the matter, and a spokesperson for Jones' management could not be reached by press time.
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During Oslo show, Gaga talks about recording her still-in-the-works next album.
By Jocelyn Vena
Lady Gaga (file)
Photo: Ethan Miller/ Getty Images
Lady Gaga's forthcoming album Born This Way is apparently her "bold and beautiful" "freedom album." During a Monster Ball concert stop in Oslo, the singer opened up a bit more about the record, which she's still working on.
"I am this week in the studio in Norway. ... The guys that ran the studio, they were all from Oslo and they were so nice to me," she told the crowd while sitting at her piano before "Speechless."
Describing the record as "really a very special thing," the singer talked a bit more about why she was working on it while on tour. She said, "People say to me, 'Why don't you wait until the tour is over to finish your album?' and I'll say, 'First off, all my fans are not going to wait that long. I have to keep my fans happy. But secondly, I get so much inspiration every night when I get to be here with you.' And then after the show I drink a bottle of Jameson."
She's been active on Twitter as well, posting a photo of her at a piano that is captioned: "Miss you so little monsters. Been working so hard for you. I can't wait for u to hear the new music." Another tweet included a photo of the singer wearing boots, pants and a skimpy top while sitting on a mixing board, a notebook and a pen in hand. The caption: "I'm on a heater, but this record ain't about poker."
Gaga announced the title of Born This Way during the Video Music Awards in September.
What are you expecting from Born This Way? Let us know in the comments!
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Bridget Moynahan Britney Spears Brittany Daniel Brittany Lee
'It's not just the concert ... this is a musical movie,' Jon Chu says.
By Jocelyn Vena
Justin Bieber in the trailer for "Justin Bieber: Never Say Never"
Photo: Paramount
With the trailer out, fans can now begin counting down to Valentine's Day weekend 2011 when Justin Bieber's 3-D flick, "Never Say Never," hits theaters. And the movie's director, Jon Chu, explained just how he plans to integrate the concert footage, shot earlier this year at Bieber's show at Madison Square Garden, with the behind-the-scenes footage and interviews that he will also be using in the film.
"We had this sort of hyperlink idea through the film, which is what makes it really an interesting movie," Chu said. "It's not like the other concert films where you are onstage and then go backstage and then onstage and go backstage. It's not just the concert ... this is a musical movie, when words aren't enough in telling the stories of his life, [we use music]."
For example, Chu continued, "You know, if he's talking about his youth and talking about his magnetic smile, you start to hear 'U Smile' start to creep in the background and the underscore ... you see images from his life, and at the end of that song, the spotlight from the number connects with the spotlight of his tour bus and he goes back into his bed," Chu explained. "And there [are] hyperlinked ideas. It's kind of like 'Chicago,' when we're weaving in and out."
And for the haters, Chu says that this film will prove that Bieber is the real deal. "The number-one thing we wanted was the honesty in this," he explained. "People have a very preconceived notion of Justin Bieber and people can think whatever they want, but we wanted to show the honest other side of Justin."
So, who is the Bieber that Chu believes the film will show? "It's a crazy thing to see a kid from Canada, in a town like Stratford that's obsessed with Shakespeare, that this kid can know and be obsessed with R&B and be anointed by sort of the hip-hop, R&B world, that he is sort of blessed by them," he explained. "That's very, very special and interesting."
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Watch Brittany and Santana's version side-by-side with Britney and Madonna's.
By Jocelyn Vena
Heather Morris and Britney Spears on the set of "Glee"
Photo: Facebook
Heather Morris, who plays hilariously ditzy cheerleader Brittany on "Glee," got to channel her sort-of namesake on Tuesday night's "Britney/Brittany" episode. And the professional-dancer-turned-actress didn't disappoint as she re-enacted Spears' videos for "Toxic," "Slave 4 U" and "Me Against the Music." She tackled all of them with her spectacular dance skills and a pretty killer singing voice.
The anesthesia-induced dream sequences followed one of Brittany's stellar reveals: "My name is also Britney Spears. Brittany S. Pierce. I've lived my entire life in Britney Spears' shadow." Well, on Tuesday night she stepped out of her shadow.
Of all the video reinterpretations in the episode, the Madonna/Britney team-up, which saw Santana playing Madge and Brittany playing you guessed it, paid homage to the original 2003 video, directed by Paul Hunter. Aside from a few artistic tweaks in the "Glee" version's choreography, Morris and company do the original justice.
"The 'Me Against the Music' montage, it's literally copied exactly from the video, the shots and looks, but the choreography is made so much more for a dancer — none of it is from the video," Morris told New York magazine about the "Glee" version. "You just have to wait to see it. It's insane."
Hunter spoke to MTV News last year about his original concept for Britney's "Music" video. "I try to play opposites, when you have Britney in dark and Madonna in white," he said. "And then we see them kind of dance around the bed .. and you think they're gonna get on top of each other and do something crazy."
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Marisa Tomei Marla Sokoloff Marley Shelton Mary Elizabeth Winstead
Nicki Minaj, B.o.B, Ne-Yo scored two nods apiece at this year's show set to air November 28.
By Jayson Rodriguez
Alicia Keys
Photo: Stephen Lovekin/ Getty Images
Alicia Keys, Usher and Drake lead the list of nominees for the 2010 Soul Train Awards, it was announced on Monday (October 18).
New mother Keys and Usher are tied for the most nods with four apiece; Keys is up for Best R&B/Soul Artist Female, Song of the Year, Album of the Year and Record of the Year, while Usher is up for Best R&B/Soul Artist Male, Song of the Year, Album of the Year and Best Dance Performance.
Drake is just one nom behind the pace-setters. The Toronto lyricist scored nods in three categories: Best Hip Hop Song of the Year, Album of the Year and Record of the Year.
Nicki Minaj, Ne-Yo, B.o.B Erykah Badu, Monica, Sade and Fantasia are among the other big nominees, each scoring two nods apiece. This year's Legends Awards recipients are veteran singers Ron Isley and Anita Baker.
R. Kelly is set to open the show, hosted for a second-straight year by actor Terrence Howard and Taraji P. Henson. Rick Ross, Cee-Lo and Keyshia Cole are among the acts scheduled to perform. The 2010 Soul Train Awards are set for November 10 at Atlanta's Cobb Energy Performing Arts Centre and will air November 28 at 9 p.m. ET/PT on BET and Centric.
Last year marked the return of the seminal awards show, founded by "Soul Train" creator Don Cornelius, after a two-year hiatus. The 2009 production also took place in Atlanta and featured tributes to Chaka Khan, Charlie Wilson, L.A. Reid and Kenny "Babyface" Edmonds.
For the full list of nominees, visit BET.com.
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Sarah Gellman Sarah Michelle Gellar Sarah Mutch Sarah Polley
Late pop icon's estate brought in more than $275 million in 12 months, according to Forbes.
By Gil Kaufman
Michael Jackson
Photo: Peter Still/ Getty Images
In life, Michael Jackson was forever dogged by rumors of financial struggles. But in death, the late pop icon has vaulted to the top of the list of celebrities whose estates generate millions. In fact, according to a new Forbes magazine list, Jackson is by far the richest dead celebrity, with an estate that brought in more than $275 million over the past 12 months.
Jackson's music and "This Is It" documentary have been so lucrative that he outearned the combined hauls of megastars Lady Gaga, Beyoncé, Madonna and Jay-Z. Not only that, but Jackson also outpaced the combined earnings of all of the other late celebs on the list.
How did he do it? A combination of smart licensing deals cut by the executors of his estate, a huge spike in sales of the singer's catalog since his June 2009 death and, most important, the $250 million worldwide box-office receipts of the tour rehearsal film "This Is It," including a $60 million advance from Sony Pictures. Music sales alone brought in $50 million thanks to heavy radio play and album sales, along with receipts from a Jackson-themed video game and the re-release of his autobiography, "Moon Walk," which added another $50 million to the pile.
"The cash flow on an annual basis is tremendous," Donald David, an estate lawyer who handled the finances of rapper Tupac Shakur after his death, told the magazine. "Sure, it's going to decline eventually, but it's going to be a huge amount in the foreseeable future. [Jackson's] kids are going to have grandkids before that money's gone."
The unprecedented numbers could continue, as a deal with Sony Music to issue unreleased recordings — the first album is due in November — is worth another $200 million to $250 million over the next seven years. Money will also keep flowing in as a result of Jackson's ownership of half of the Sony/ATV catalog, which contains a half a million songs by a stunning array of artists, including Lady Gaga, Elvis Presley, Eminem, Bob Dylan and Beyoncé. That deal alone could rake in $25 million to $50 million a year.
Coming in at #2 on the list is perennial top deceased earner Presley, whose receipts shot up $5 million to give him $60 million in the past year thanks to the newly launched Las Vegas Cirque du Soleil show featuring his music as well as the boost in licensed products and merchandise in honor of what would have been his 75th birthday.
The estate of "Lord of the Rings" author J.R.R. Tolkien banked $50 million, mostly due to the sales of 500,000 books over the past year, followed by the estate of "Peanuts" creator Charles Schulz ($33 million) and, rounding out the top 5, late Beatle John Lennon ($17 million), whose earnings ballooned 30 years after his murder as a result of the re-release of his solo catalog, licensing deals with Cisco and Mont Blanc and receipts from "Beatles Rock Band."
The rest of the top 10: "The Girl With the Dragon Tattoo" author Stieg Larsson ($15 million), Dr. Seuss (born Theodor Geisel) ($11 million), Albert Einstein ($10 million), New York Yankees owner George Steinbrenner ($8 million) and "My Funny Valentine" songwriter Richard Rodgers ($7 million).
Are you surprised at how much money the King of Pop's estate has generated since his death? Let us know what you think in the comments.
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Singer tells Seventeen about touring with spiritual healer: 'We center our chakras before every show.'
By Jocelyn Vena
Ke$ha on the November cover of <i>Seventeen</i>
Photo: Hearst Communication, Inc.
Ke$ha is a party monster who sings about cute boys and dancing the night away. She regularly paints herself in body glitter and is about as outspoken as they come, so it might come as a surprise to her fans that the "Tik Tok" singer brings a spiritual healer with her when she hits the road.
"I have a spiritual healer on tour with me, and we center our chakras before every show," the Seventeen magazine November cover girl reveals. "We meditate and try to hone in on my psychic abilities, and go to acupuncture, and eat super organic."
But, as she promises in so many of her tunes off Animal, she is also a big-time party girl. "I could party in a cardboard box with people who are funny and don't care," she explains. "For me, it's really about who I surround myself with, so I just try to always be with hilarious people."
And even though she has topped the charts with rollicking party anthems, there are still those who criticize the singer.
"I accidentally read a review, and it was really positive, but at the end it said, 'We don't really know if she has the best voice,' which is bullsh--!" she says. "That's the one thing I'm most confident about. I don't have the best body in the world, but I know for a fact that I have a really good voice.
"It really bummed me out that somebody didn't see that, and then I got upset. But it just made me realize that this is an unveiling process; it's just going to take time. I'm just proving myself to people."
As much as she is known for her songs, she is also known for her interesting fashion choices, which include body paint, feathers, fur, boots and just about anything you might find in a gypsy's suitcase.
"I just like playing with makeup and clothes — so I really don't feel like there are rules, and if there are rules, then I think it's up to you to break them," she says. "That's why I'm wearing blue lipstick right now, because most people would probably say it's not a good color for your lips, but I'm here to show them that it is.
"I love wearing the exact same thing all the time because I think it makes you like a cartoon character," she confesses. "They always wear the same outfit, and everybody always remembers them for it, so I feel like I should do the same thing."
Are you surprised to hear about Ke$ha's spiritual side? Tell us in the comments!
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'Hello, Hello' will appear on the animated Disney film's soundtrack, reports 'Entertainment Weekly.'
By Gil Kaufman
Lady Gaga and Elton John
Photo: Christopher Polk/ Getty Images
Elton John and Lady Gaga have been carrying on a torrid mutual-admiration affair for much of the past year. The two pop icons have shared the stage several times and often have spoken highly of each other, but now they're ready to take it to the next level.
According to "Entertainment Weekly," the dynamic piano duo are planning on releasing a duet called "Hello, Hello" on the soundtrack to the forthcoming animated Disney film "Gnomeo & Juliet." The magazine describes the tune as "a charming pop track," and reports that it will be heard when the movie's two lead characters — lawn ornaments voiced by James McAvoy and Emily Blunt, respectively — first meet.
"Gnomeo & Juliet," produced by Sir Elton and his longtime partner, David Furnish, is slated to premiere on February 11, 2011.
While John has hinted that he'd love to appear on Gaga's upcoming Born This Way album, even if he doesn't, he's already given it his glittering stamp of approval.
"I've already heard [Gaga's new album], so I think it's more or less done," he told "EW" earlier this month. "Her record — it's f---ing amazing." He added that he was particularly enamored with one tune, saying, " 'Born This Way,' which is the title song, will completely get rid of Gloria Gaynor's 'I Will Survive.' This is the new 'I Will Survive.' That was the gay anthem. This is the new gay anthem. Actually, it's not a gay anthem — it can apply to anybody."
While John is an old hand at movie soundtracks — including his Oscar-winning work on "The Lion King," as well as music for "The Road to El Dorado" — the "Gnomeo" song will be Gaga's first original contribution to a film.
Are you excited about Lady Gaga and Elton John's upcoming collaboration? Tell us in the comments.
Related ArtistsSource: http://www.mtv.com/news/articles/1650603/20101022/lady_gaga.jhtml
Director Tod Williams leads MTV News through some of the film's trickier aspects.
By Eric Ditzian
"Paranormal Activity 2"
Photo: Paramount Pictures
Late in August, MTV News took you behind the scenes on a low-budget horror flick called "The Last Exorcism," revealing the secrets behind its special effects and how the actress who played the demonically possessed main character managed to contort her body in such crazy ways.
Now, we're back with another low-budget horror flick about demonic possession: "Paranormal Activity 2," a follow-up to last year's out-of-nowhere blockbuster. The film once again is presented as found material — security-cam footage and home videos shot by a family whose home becomes haunted by a very unfriendly demon with an eye on their baby boy.
Director Tod Williams popped by the MTV Newsroom on Friday (October 22) to share five things you need to know about "Paranormal Activity 2" (beware of mild spoilers below).
There Was No Script
Just because the first "PA" made almost $200 million, that didn't mean the filmmakers were going to change their approach to the second film and actually, you know, write a freakin' script. Like the original, "PA 2" started off with only an outline — but even that they didn't always stick to.
"The entire thing was improvised. Even story beats were improvised," Williams told us. "If we were experimenting with an idea of where the story would go, we would go shoot it. We'd just act it out. Sometimes we kept that stuff, and some of it is in the movie the first time we did it. Sometimes, we'd be like, 'That's interesting, but now we've got to change [something else]. Once we had the house set up, we had the ability to go back and back and back.
"We leapt into this thing not really knowing which way we were going to go, on some level not knowing if we were going to make it to the other side," he added.
The Best Way to Break a Leg Is to Twist
Williams' philosophy of scares can be summed up with the following sentence: "If you're trying to break somebody's leg, if you hit him with a baseball bat, it doesn't break. If you twist their leg and then hit him with a baseball bat, then you'll snap it."
That is to say, the film builds very slowly, from a creepily turning mobile above the baby's crib to the moment when one character is sitting in the kitchen and every single cabinet bursts open with a thunderous clap. It's a scary-as-hell moment.
"We had to twist the audience into a knot before we hit them," Williams said.
The Security Cameras Kept Moving Around
The haunted house is equipped with just a handful of security cameras, each pointed at a specific area of the house: the living room, the baby's room, the front door and so on. The cameras don't pan or zoom, nor are their positions moved at any point during the film. Thus, choosing the exact position for each became a painstaking process for Williams and his team.
To begin, Williams brought cinematographer Michael Simmonds, a vet of low-budget indies like "Big Fan," into the mix. Together they conducted a slew of camera tests inside the house, placing the security cameras in different spots until they found the perfect shot for each one.
"Many of those changed," Williams said. "We realized we'd need to cover parts of the house and leave big spaces that weren't covered. We had to make sure the compositions didn't hurt us by showing too much but were rich and interesting enough so you had to look around and try to find out where you were supposed to be looking."
There Are Essentially No Visual Effects
With Paramount backing the film from the beginning, filmmakers might have been tempted to introduce some fancy visual effects to "PA 2." But Williams made sure to keep the emphasis on practical effects.
"You can see that the language of the film is very real-world," he said. "There is some very simple stuff to make things work, but nothing animated or CGI or creating something that didn't exist. Everything you see is there. Some things were there that are no longer there."
That Baby Is the Best Actor Ever
Perhaps the most startling thing about "PA 2" is the young boy, who walks, opens doors and appears to pause dramatically exactly when appropriate. He really does seem to be urged on by some otherworldly spirit. The key to the performance, the director told us, was an exhaustive amount of takes and some key advice from Williams' wife, Gretchen Mol.
"There were two brothers, and they were wonderful to work with," he said. "Their parents were right there with us. We did a lot of takes — a lot of takes. When we started shooting, these kids couldn't walk. But by the end, they were running around. It changed the way we were going to use them.
"I have a young son who turned 3 this year, and he was in his crib and he got out of his crib, and my wife was in the house alone and she came into the bathroom and he was standing there," he continued. "She told me how freaky it was, and I was like, 'Well, that's pretty cool.' And that's something we played with."
Check out everything we've got on "Paranormal Activity 2."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
Them Crooked Vultures make their debut with a post-Lollapalooza set.
By James Montgomery
Dave Grohl (file)
Photo: Jewel Samad/AFP/Getty Images
Officially, Lollapalooza ended Sunday night in Chicago's Grant Park, with dueling sets from the Killers and Jane's Addiction. Unofficially, it ended very early Monday morning, across town at venerable rock club the Metro, with a surprise show by Them Crooked Vultures.
To the unfamiliar, the Vultures might seem like an odd choice to close out Lolla weekend ... until you realize that they're made up of Foo Fighters frontman/ former Nirvana drummer Dave Grohl, Queens of the Stone Age mastermind Josh Homme and Led Zeppelin legend John Paul Jones. And their gig at the Metro was their world premiere.
According to some reports, the Vultures actually turned down Lollapalooza founder Perry Farrell's request to replace the Beastie Boys as headliners at the festival, opting to debut in front of some 1,100 super-psyched fans at the Metro, rather than 75,000 in Grant Park (tickets for the gig were announced via Foo Fighter/ QOTSA fan clubs). Meaning that, in a lot of ways, this was the most sought-after ticket in town.
Taking the stage just after midnight, the Vultures — Grohl on drums (of course), Homme on guitar and vocals, Jones on bass and keys and frequent QOTSA contributor Alain Johannes on guitar — ripped through 12 songs in 80 minutes, all taken from their upcoming debut, which may or may not be called Never Deserved the Future, and may or may not be hitting stores on October 23 (early "promo" videos touting both those facts were revealed over the weekend to be hoaxes perpetrated by QOTSA fans).
The songs, with appropriately Homme-ian titles like "Scumbag Blues," "Mind Eraser (No Chaser)," "Caligulove" and "Interlude w/Ludes," sounded pretty much how you'd expect, given the band's pedigree. They rocked, hard — Chicago Tribune critic Greg Kot described them as "fresh, invigorating and just plain nasty" — delving off into psychedelic, reverb-filled excursions and exploring proggy territory, "both of the old-school Yes variety, and the more modern Tool flavor," according to the Chicago Sun-Times' Jim DeRogatis.
It's not known if Monday's Metro performance was a one-off event for the Vultures — there have been whispers of a full-blown tour, but a spokesperson for Homme had not responded to MTV News' request for comment at press time. Nor was it clear whether or not they'll have an album out in October.
Early Monday, a Crooked Vultures Twitter account, which had previously posted links to the band's official-looking Web site and the Metro's online ticketing site — posted a link to what appears to be the group's first bit of official merchandise: a Deserve the Future T-shirt. Cost: $30.
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Tribute episode brings in 13.3 million viewers.
By James Dinh
Britney Spears and Heather Morris on the set of "Glee"
Photo: FOX
Madonna's "Glee" tribute episode might have been titled "The Power of Madonna," but it was the show's tribute to Britney Spears that reigned supreme. The broadcast, which featured cameos from the pop princess herself, drew 13.3 million viewers, leading the 8 p.m. hour and posting its best-ever rating among adults 18-49.
Tuesday night's episode, appropriately titled "Britney/Brittany," had a 5.8 rating and rose 4 percent from last week's season-two premiere. The feat made history for "Glee," as it becomes the first series since NBC's "Seinfeld" in 1993 to debut as the top series of the week and then spike in ratings the following week, according to Entertainment Weekly.
The episode, which highlighted Heather Morris' character Brittany S. Pearce, revolved around the McKinley High students' fight to perform Britney Spears numbers. Through anesthesia-induced sequences, the Gleeks tapped into their inner pop star to perform renditions of the singer's hits, including " ... Baby One More Time" and "Me Against the Music."
In addition to Spears' appearances on the hit Fox show, the singer took to Twitter during the West Coast premiere to thank fans for campaigning in support of the episode. "I loved it! Thank you guys SO much for making this happen!" she tweeted. The pop princess also gave props to the many song and video re-creations, including "I'm a Slave 4 U," saying, "Slave: Oh ... My ... God ...! Those little boys are SO cute! I know how hard it is to dance with that snake! Nice job."
Spears' manager, Adam Leber, also showed his appreciation for the episode, which spawned multiple trending topics on Twitter. "So glad you guys loved the GLEE episode! The Overwhelming worldwide response has been insane.3 of the top 10 worldwide trending topics.Sick! Big big big thank you to Ryan Murphy, the incredible cast and Brit's fans for making it happen...."
After such success, it wouldn't be surprising if the rumors of a second Spears-devoted episode came true, since "Britney/Brittany" only included hits from the first few years of the singer's career.
Did you catch the Britney Spears-themed episode last night? Share your thoughts in the comments below!
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